German Lost Art Foundation and five partners publish a manual on provenance research for cultural goods seized during the Nazi regime as a result of persecution
The first provenance research manual on identifying cultural goods confiscated as a result of persecution by the Nazis is designed to be a practical toolkit for employees of museums, libraries and archives, for art and antiques dealers, and also for private collections.
Anyone who has doubts about the provenance of cultural goods in their own collections—be they paintings, sculptures, books, coins, porcelain, graphic art or silver tableware—will find the needed tools in the guideline: practical tips, case studies as well as important addresses, sources and web links.The publication is divided into six chapters and also serves as a guideline for action. The topics covered range from historical context, through approaches, planning and methods, to identifying heirs and entitled claimants. The guideline sets out political, legal and ethical foundations; it also provides details of institutions and networks within the provenance research field.
The guideline is a joint publication compiled by five partners in addition to the German Lost Art Foundation:
- Arbeitskreis Provenienzforschung e. V.,
- Arbeitskreis Provenienzforschung und Restitution – Bibliotheken,
- Deutscher Bibliotheksverband e. V.,
- Deutscher Museumsbund e. V.,
- ICOM Deutschland e. V.
The authors of the volume have been instrumental in the scientific, methodological and practical development of the field in past years, and they contribute their profound practical experience in the guideline’s 135 pages. In 1998, more than 40 countries signed up to the Washington Principles and pledged to take proactive steps to identify cultural property seized as a result of Nazi persecution. With the publication of this practice-oriented guideline, a useful and practicable guide for action is now finally available.The book focuses explicitly on cultural property lost during the Nazi rule. It does not address other provenance research topic areas such as expropriations in the Soviet Occupation Zone and the GDR, items lost during wartime or objects from the colonial era. Furthermore, the guideline cannot address every institutional and structural particularity, but it will provide important starting points and approaches for all those who conduct provenance research. The guideline is also intended to offer straightforward and secure access to provenance research for smaller institutions, in order to ensure that this research is permanently included as an essential and indispensable task in their practical efforts to safeguard and preserve cultural heritage.
The guideline will be made available free of charge by the publisher as a printed document and as an online publication. It can be downloaded here.